Charles Holdefer
The Contractor

“Unsettling and timely...fine literary prose”

The Independent

“A compelling mix of thriller, psychodrama
and, yes, political commentary”

starred review, Booklist

“Powerful in its reach … resounds with
literary merit"        
Library Journal


"Finely tuned...a valuable entry in the Gitmo
field"                                                                       
                           
Publishers' Weekly


More about The Contractor  here
Back in the Game


forthcoming...         
Buy the book
@ IndieBound       
@
Amazon
@ Barnes & Noble
Buy the book
@ IndieBound
@ Amazon
@ Barnes & Noble
Buy the book
@ IndieBound
@ Barnes & Noble
Buy the book
@ IndieBound
@ Amazon
@ AbeBooks
NICE

"The darkest of comedies, a satiric parable"

Boston Globe


"Truly eccentric...well-earned humor and
poignant story"

Booklist


"NICE is a rollicking, smile-provoking read"

Arizona Daily Star


More about NICE  here
Apology For Big Rod

review from PUBLISHERS WEEKLY:

"Set in Chicago, this spare, funny first novel
is narrated by Judy Gass, the spirited
offshoot of a conservative heartland family.
Written after her uncle, Big Rod, dies in
disgrace in a local jail, this brief, carefully
colloquial apology remembers a man who
acted according to the belief that life is
fleeting and that happiness is the only
worthwhile pursuit and the only true
standard of morality. .
..

Using earnest, often hilarious small-town
syntax, Holdefer tells the simple,
memorable tale of a man who lived life as if
he savored it and yet was indifferent to it, as
if it were wine in a beautiful glass that
would inevitably be broken."
Philip Larkin and the Poetics of
Resistance              

        (With Andrew McKeown, co-editor)

"A valuable contribution to the further
development of Larkin studies"

The European English Messenger

"Highly original"
Estudios Ingleses de la Universidad
     Complutense


DESCRIPTION:

"I'm an agnostic," the British poet Philip
Larkin (1922-1985) used to say, "an
Anglican agnostic, of course."

This idiosyncratic unbelief that Philip Larkin
made his own in a distinguished writing
career spanning five decades is central
among the questions explored by the
thirteen specialists in this first
thematically-unified volume of Larkin
scholarship published in France.
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